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    • The poster for the 97th Academy Awards. (Fair Use)

Glambots and Glitz: The Oscars 2025

Miriam Levin ’26, Lead Arts Editor
Movie aficionados and those who simply enjoy movie theater popcorn are all gearing up for the most anticipated night of the year for film: the Oscars. Between the fancy outfits, the interesting glambots, and the controversial nominations, the Oscars never fail to either amaze or disappoint viewers, and this year is no different. With 2024 being such a huge year for new releases such as “Wicked,” “Emilia Perez,” and more, this year’s event is, to many, more excitement-filled than recent years.
The Oscars are most movie-watchers’ Superbowl, however, they are not only exciting for film junkies, but for fashion folks as well. When asked what their favorite part of the Oscars is, Jesse Piazza ’25 explains that they are “really excited to judge all the outfits! It’s honestly one of my favorite things to do!” Riley Junkins ’25 agrees: “I just love all the outfits and the red carpet and seeing all these people dressed to the nines for the event. That’s honestly my favorite part of any sort of awards show.” Despite the previous out- of-the-box fashion choices in women’s wear, Wave Walters ’25 hopes to see “designers take risks with their red carpet looks, particularly in men’s wear.” They feel that in recent years, “we have seen more avant-garde styles by females but I hope more boundaries get pushed.”

Although avant-garde wardrobe choices are at the forefront of Oscar watchers’ minds, the primary topic of conversation this year was the controversial movie “Emilia Perez.” Junkins believes that “good films are the ones that really connect to the audience.” According to Hopkins students and others worldwide, “Emelia Perez,” the movie that was nominated for the same amount of awards as blockbusters like “La La Land” and “Forrest Gump,” accomplishes the opposite of this authenticity. Xander Ciminiello ’27 said that “filming a movie about Mexico in France” was unsettling, and inaccurate. On the other hand, Piazza “understand[s] why ‘Emilia Perez’ was nominated” because of its “big names in the cast and big musical numbers,” but still sees flaws. An
interview with Jacques Audiard, one of the filmmakers born in France, has been circulating the internet.
He states that “Spanish is a language of modest countries, of developing countries, of the poor and migrants,” and when asked if he did research on Mexican history for the film, he responded, “What I had to under- stand, I knew.” Piazza, “as someone who loves cinema and the arts,” found this “really disappointing to hear a film- maker say.” Piazza also explains their thoughts on casting choices: “The film has also been critiqued due to none of its leads being Mexican, although the movie is set in Mexico.” Piazza believes that “casting big names and popular figures in your film rather than casting authentic Mexican actors is just yet another tragedy in ‘Emilia Perez.’”

The controversy surrounding the academy and “Emilia Perez” poses a question: What truly makes a good movie? Junkins enjoys films that “have an emotional pull to them...I think it’s really important that any Oscar-nominated films have a certain level of reliability and connection to their audience.” Walters ’25 shares a different sentiment, sharing that in their opinion “a good movie makes me question the world as a whole or shows me a new perspective.” Laila Rivera Good ’27 also feels that a personal connection to a film makes it more interesting to viewers: “A good movie makes the viewer feel something in their heart whether it is funny or sad.”

With the start of the new year and a new round for Oscar nominations, Hopkins students have identified the
biggest keys, or “ins” to movies in 2025. One of the biggest ins of 2025 is originality, and the biggest out, is lack thereof. Veronica Vece ’26 wants to see more “originality. Making the exact same movie with the same story but live-action is out.” Mia Callot ’26 agrees with this sentiment: “Original Disney movies are in, instead of the same stories but an exact live-action remake.” Sophia Miller ’25 also appreciates “original scripts.” They hope to see less of “reusing the same tropes and the same actors in everything” in 2025. Likewise, Junkins believes that “the same actor playing the same role over and over is out. I get that everyone has their thing and most of the time casting is to blame, but I want to see a comedic actor do something intensely emotional.” The overall consensus is that the people want to see outside-the-box and experimental films this coming year.
Whether you like movies or fashion choices, “Emilia Perez” or “Wicked,” or even if you’re just there to see Zendaya and Tom Holland, it is undeniable that the Oscars are a huge part of the film industry. Even with all the controversy surrounding certain hairstyles, movies, or genres, the most important part of the event, according to Vece, is to “celebrate the talented people who made the movies we watch,” from producers to actors to interns holding the directors coffee.
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The Razor's Edge reflects the opinion of 4/5 of the editorial board and will not be signed. The Razor welcomes letters to the editor but reserves the right to decide which letters to publish, and to edit letters for space reasons. Unsigned letters will not be published, but names may be withheld on request. Letters are subject to the same libel laws as articles. The views expressed in letters are not necessarily those of the editorial board.
     
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